Stop the presses, hold the phone, and crank up the AC. Hell hath frozen over: Donald Trump was correct about something.

Not the broken-clock kind of correct. God knows Donnie Dimwit couldn’t keep up the blistering pace of being right twice a day. He’s lucky if he’s right twice a month.

But last week, in classic Trump style,  he managed to say something accurate. It was in defense of the (correct) claim that he’s a racist. Just as he did in claiming Bill Clinton had something to do with Jeffrey Epstein’s death, he pointed at someone else as the culprit of an undeniable truth about racism in America. “Liberal Hollywood is Racist at the highest level, and with great Anger and Hate!” he sausage-fingered from his safe haven aboard Air Force One. “They like to call themselves ‘Elite,’ but they are not Elite. In fact, it is often the people that they so strongly oppose that are actually the Elite.”

Well I’ll be damned. I guess I shouldn’t be surprised by his assertion about show biz. After all, it birthed his very presidency.

Still, as usual, the Molester-in-Chief got it only partly right. In truth, Hollywood isn’t liberal, though he and his base would scream to the contrary. But statistical research bears out what he said — and what we all know instinctively to be true. After all, this is an industry that glorifies gun ownership and vilifies environmentalism. How many times have our cinematic heroes solved their problems by being armed to the teeth? Ever seen an electric car in a Fast & Furious installment?

Delve a little deeper, and you’ll see that Hollywood mirrors corporate America in its white male ownership, and not only at the studio-head level. Here are just a few numbers to illustrate:

Women make up 52% of the U.S. population. But on the silver screen, here’s their representation, according to the Center for the Study of Women in Television and Film. Women make up:

• 4% of directors
• 15% of writers
• 3% of cinematographers
• 18% of producers
• 18% of executive producers
• 14% of editors
• 6% of composers

When it comes to minorities, the numbers are just as bleak. According to a 2019 UCLA study of minorities in film, people of color make up 40% of the nation’s population. But in the movies, they comprise:

• 19.8% of leading actors
• 12.6% of directors
• 7.8% of writers

In television, minorities make up:

• 21.5% of characters on scripted shows on the networks
• 21.3% of characters on scripted shows on cable
• 28.4% of characters on reality shows on networks
• 22.4% of characters on reality shows on cable

They’re dismal figures, but would we expect anything else from America’s largest exporter? In 2020, the entertainment and media market in the United States is expected to be worth over $720.38 billion, according to the economic research firm Statisa.

Not that we need statistics to prove all this. Remember the outrage when Idris Elba was being considered to be the next 007 in the James Bond series?

Or when the Star Wars franchise dared incorporate a black stormtrooper?

The difference between Hollywood and the rest of America, of course, is that at least showbiz is attempting to appear like they’re doing something about the problem. What was the hottest film of last year? Black Panther. What was the biggest movie of this year? Avengers: Endgame, with a superhero cast as diverse in race and gender as Up With People.

Marvel has taken further steps, announcing 10 films to follow Endgame, which include two more Black Panther installments, Natalie Portman and Cate Blanchett anchoring the next Thor movie, and Scarlett Johansson getting her own Black Widow film.

Trump’s attack on Hollywood puzzled many, but it’s likely due to him gaining wind of a movie scheduled for release this fall called The Hunt. It was indefinitely shelved because of the mass shootings in El Paso and Dayton, but the premise must have enraged Trump nonetheless. The film, which stars Hilary Swank, Betty Gilpin, and Emma Roberts, does not mention political ideology or Trump in its advertising. But a draft of the script (originally titled Red State Vs. Blue State) centered on hunting human game and featured such lines as “Did anyone see what our ratfucker-in-chief just did” and “nothing better than going out to the Manor and slaughtering a dozen deplorables,” as well as descriptions of its hunted characters having shared racist or pro-life views.

Maybe Donnie was just pissed that he hasn’t been asked to star in any films lately. And that’s not likely to change soon. After all, the camera adds 10 pounds. And the way he’s scarfing Big Macs and KFC, he’d likely only be considered to play the titular role in a drama about the Hindenburg.