Tag Archives: david simon

Deja Viewed: The Wire


It took two decades, but The Wire has finally reached its proper literary altitude. Feel free to unfasten your seat belt, recline your tray table and roam about about the cabin.

You see, this cabin is one of the few to showcase a television show that has entered the realm of high art. Elite club membership includes Hill Street Blues, The Sopranos and The Simpsons — stratospheric television achievements that elevated the medium that hoisted and foisted them as a newborns.

Maybe the epochal delay (the show is celebrating it’s 20-year anniversary this year) came from its unique DNA. The Wire may be America’s the first and only (intentional) five-sided television show. The police drama about life in the streets of Baltimore was divvied into five chapters of working America: crime; labor; politics; education; and journalism.That HBO even greenlit such a corporately-suspicious show is worth noting — along with the cold reality that no network, including HBO, would greenlight it today.

Which makes The Wire less a history lesson than an archeological find, a glimmer in a gold pan.

And one need look no further than Episode Two to find the treasure. Michael K. Williams played Omar Little, a scarred, poor gay gangbanger who served as a modern-day Robin Hood. Or Robbin’ ’Hood. Omar steals from gangs to feed his own, which is still victimized, but far less vicious. When Omar’s lover is ensnared, tortured and killed within “the game,” we become something more than spectators.

Consider the road The Wire could have taken, but did not. Any TV show could take that spark and stare at the candescent glow of a clever police procedural until disinterest reduced it to ember.

But creator David Simon, a former police reporter with the Baltimore Sun and author of Homicide, had no interest in flame — or navel — gazing. His octagonal intention was to examine the crumbling foundations beneath the feet of the city dwellers in Baltimore.

And thus America.

Colleges now teach The Wire and its themes as a course. President Obama called it the greatest television show of all-time. That it was nominated for only two Emmys — and won neither — effectively eliminating the venerated award as legitimate metric of quality.

Seasons One and Four are the show at its apex. Ironically, Simon’s look at journalism is the weakest chapter, largely because he views through the lens of a newspaper. Papers were already on life support by 2007, and the final season feels more like eulogy than observation.

And there’s no getting around the heavy lifting required to fully digest the show. I’ve watched the series four times now just to unpack its dense, tracer bullet dialogue. Simon filmed in Baltimore and used locals (some with felony records) to infuse scripts with current street and police slang. The language is so casually raw and the violence so blithely graphic, The Wire may have earned an NC-17 rating were it a film.

Fortunately, it’s not. Instead, it is a game-changer. The Wire may boast the longest list of anti-heroes ever committed to teleplay. From Omar to the alcoholic Detective McNulty to the psychopathic drug kingpin Marlo Stanfield, it’s often hard to tell who is antagonist and who is protagonist, which is Simon’s larger point.

And this may be The Wire’s: “The game” is an octagon, at least. And no one leaves uncut.

Time to Kiss the Toad

Image result for the outer limits trump

There is nothing wrong with your computer screen. Do not attempt to adjust the picture. We are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper….You are about to participate in a great adventure. You are about to experience the awe and mystery which reaches from the inner mind to… The Outer D.C. Limits.

Anyone familiar with these waters knows that sharks infest them. And their favorite chum is stupidity, so religion and Trump are high on the menu. They’re entrees, not appetizers.

But in keeping with Evidentialism’s core tenet that we celebrate the fact we get more todays than yesterdays (or tomorrows even!), we must acknowledge — today, right now —  that the president (and the federal government writ large) did exactly what the Founding Fathers envisioned: They acted for the good of the people they serve.

This shouldn’t be news. Governments are supposed to act for the betterment of their charges. But, particularly now, the notion seems quaint and antiquated, and has been trampled underfoot by political peacocking. (BTW: Can the GOP please hire a high schooler who can work Microsoft Paint? Those signs make Vegas look understated.)  Image result for gop signs at hearing carton

Still, we have to give credit to the president and both sides of the aisle for actually working on a Friday. Trump signed into law a $1.4 trillion set of spending measures Friday that not only averted another government shutdown, but raised the smoking age to 21 and secured funding for studies on gun violence.

It would be hard to argue against the logic of either measure. Does anyone contend the age should go down? Or that we need to be spending less to examine our gun crisis? (Under the new legislation, the National Institutes of Health and the Centers for Disease Control and Prevention will receive $25 million to conduct research on gun violence. That came after a more than two-decade block on such research at a federal level.)

We get it. It’s hard to compliment an intellectually incontinent narcissist, particularly one whose sole talent is doing touchdown dances. But even the CNNs and MSNBCs of the world had to give the president — and deeply divided Congress — credit for a flurry of bipartisan bills that averted another Grinchian Christmas gift to “non-essential” federal employees, right? Nope.

Let’s thank Donnie while we’re at it, no matter the gag reflex. The president could have easily upended the system he publicly abhors (but privately milks). He could have insisted the $1.4 billion was just a fraction of the $5 billion he demanded for a wall (which is true) and refused to sign it. He could have told his yokel base: “See what happens when Dems impeach? Your government breaks.”

But he did neither. And Congress passed an enormously consequential bill. Yet, when I flipped to the outlets that are the president’s greatest critics, CNN and MSNBC, this is what I found:

And here’s how MSNBC summed up the day:

This is why we have the reputation we do. Have we gotten so entrenched in our echo chambers that anything outside it resembles a home invasion? Why is good news so difficult for us to hear, let alone repeat?

The position of the 24/7s is particularly disappointing given the tiny amount of work you’d need to exert to have today’s news fit your narrative. Consider this simple story angle: We have now raised to 21 the drinking and smoking ages. Why not gun ownership?! You could still appease your base with a ‘this is a good start’ criticism. But to not acknowledge your opponents getting something right is to diminish when they get it wrong.

Better yet, consider how we would have covered the passage of the bill had it been signed by Hillary Clinton. Dollars to donuts that Anderson Cooper would yodel the praises of a president brave enough to stare down big tobacco and sign into law a study the NRA does not want published, let alone  funded.Image result for anderson cooper

Again, none of this acknowledgment need bother the woke angels of the Left’s nature. Trump is not Lord Voldemort. We won’t be hectored and haunted should we speak President Napalm’s name. If you can call out his errors, call his base hits, too. Image result for trump voldemort

We can do better than what the 24/7s are offering us. Is the bill too bloated? Absolutely. Do we need to eventually pay off the card? No doubt. Do journalists ask themselves question in order to make a story look more substantial? Perhaps.

But there’s a reason “Fake News” has taken off with the masses. Let’s be honest with ourselves, fellow reporters and the curious-minded: You don’t have to offer fabricated details for a story to be fake news. It just need lack context.