Category Archives: Reviews

Deja Viewed: The Big Lebowski

Forgive them, Lord, for they know not how they bowl.

Yurécuaro In an early draft of the script The Big Lebowski, Jeff Lebowski was supposed to be the heir of the inventor of the Rubik’s Cube. Instead, the Coen Brothers settled on the son of God.

semplice More than two decades after its release, Lebowski has become something of its own cult. Aside from the innumerable quotes that really tie the room together, Joel and Ethan Coen’s 1998 comedy has birthed dozens of fan clubs, a Lebowski-fest and even a religion, Dudeism. The website describes its mission and requirements to get ordained (for free):

An ancient philosophy that preaches non-preachiness, practices as little as possible, and above all, uh…lost my train of thought there. Anyway, if you’d like to find peace on earth and goodwill, man, we’ll help you get started. Right after a little nap.

The Jewish Telegraph, citing character Walter Sobchak, said the film was a legitimate Judaic teaching tool and called the it one of “the greatest ever Jewish films.”

Which makes sense, given that, on re-viewing, it’s clear that Jeff Lebowski is one of the greatest ever Jews: Jesus Christ.

This would hardly be new ground for the Coens. From ‘O Brother, Where Art Thou? to A Serious Man to Fargo Season 2, the directors make no secret of the Abrahamic influences on their work. And it sure seems like the Coens must have asked each other: What would it look like if Jesus returned to Earth in the San Fernando Valley, and didn’t know he was Jesus?

Consider the messianic references:

  • The first time we meet Lebowski, he is in a robe and sandals.
Retail California: Ralphs, the Big Lebowski, and Shaping the American  Shopping Experience | KCET
Note the beard and flowing locks.
  • He is wrongly persecuted.
Where's the money Lebowski?- The Big Lebowski funny toilet scene - YouTube
A toilet baptism.
  • Feet play a significant role in the film.
Browsing celebs << wikiFeet
“He came to Simon Peter, who said to him, “Lord, are you going to wash my feet?” — John 13:1-6.

He turns the other cheek — literally — when he’s punched in the face.


“That ye resist not evil: but whosoever shall smite thee on thy right cheek, turn to him the other also.” — Matthew 5:38
  • He tries his hand at carpentry.
The Big Lebowski - Chair Scene - YouTube
“Is not this the carpenter, the son of Mary and brother of James and Joses and Judas and Simon?” — Mark 6:3

At minute 48, note how he gazes up through the sunroof. Does anyone gaze with such wonder through a sunroof?

Hi dad!

It’s unclear how he makes money, but he can afford a place with cathedral ceilings.

THE BIG LEBOWSKI 20TH ANNIVERSARY: WHY THE DUDE ENDURES – The Rōbert  [Cholo] Report (pron: Rō'bear Re'por)
Blessed be thy White Russian.
  • He bears witness to false prophets.
John Turturro as Jesus Quintana in The Big Lebowski. Happy Birthday! (born  February 28, 1957) : OldSchoolCool
Nobody fucks with the Jesus.
  • He apparently has a guardian angel with supernatural knowledge, such as Lebowski’s pending child.
How The Big Lebowski changed Sam Elliott's career | EW.com
“The Dude abides. I don’t know about you but I take comfort in that. It’s good knowin’ he’s out there. The Dude. Takin’ ‘er easy for all us sinners.”
  • He goes by many titles, including His Dudeness.
Dudes... The Big Lebowski is next up on... - The Historic Bakersfield Fox  Theater | Facebook
“Let me explain something to you. Um, I am not “Mr. Lebowski”. You’re Mr. Lebowski. I’m the Dude. So that’s what you call me. You know, that or, uh, His Dudeness, or uh, Duder, or El Duderino if you’re not into the whole brevity thing.”
  • His nightmare involves circumcision.
THE BIG LEBOWSKI NIHILIST BODYSTOCKING
Bris, anyone?

As for Dude’s crude language (“fuck” is used 260 times) and pot use, remember Lebowski doesn’t know his own holiness, and the Stoner Way is simply what he learned from growing up in the Valley. He holds no grudge in the film, including against his assailants (even the fascist Malibu police chief), and pleads for peace when Smokey’s toe goes over the line.

And lastly, just look at this blessed face. Is it not the mug of enlightenment?

Behold: The Kabbalah of the Big Lebowski. Yes, Really.
GutterBalls‘

Just ask Walter; when times get tough, there’s always heaven, er, bowling.

Of course, that’s just my opinion, man.

Christopher Nolan’s Quarter-Billion Question Mark

Tenet review: Christopher Nolan time-twister isn't as clever as it thinks -  CNET

The consensus is pretty clear: Tenet is a solid film.

The latest Christopher Nolan opus is a time-leaping thriller with a plot as convoluted as Inception and a look that’s just as polished. The movie earned a thumbs-up from three-quarters of the nation’s critics and earned positive reviews from 77% of America’s moviegoers, according to RottenTomatoes.com

It also cost a quarter-billion dollars.

That last point is a stickler for Hollywood, which is trying to make sense of the tea leaves left in the wake of the Labor Day opening for the film. Tenet was to be the litmus test of moviegoing since the pandemic.

“The movies are back!” Warner Bros. proudly exclaimed in advertising the film.

Moviegoers, however, were another matter. The film has made $30 million since its release, and more than $200 million overseas, bringing it near its production costs.

But in today’s Hollywood, a film needs to make about twice what it cost for the industry to consider it a success, much less a sequel. And it’s hard to see Tenet nearing the $500 million mark.

To be fair, Nolan’s film was facing an uphill battle since its release. Only 70% of the nation’s theaters are even open for business, and they can only accommodate 25% capacity due to social distancing.

In response to expectations, Warner Bros. has quit reporting daily box office for the movie — never a good sign. And they are, as expected, mum on how much they’re spending on their next tent pole picture, Dune, due December 18.

But clearly, summer 2020 was a graveyard for Hollywood films. And like the nation, U.S. theaters cannot be forced to open, even with as elegant a crow bar as Christopher Nolan.

Here’s hoping for better holiday tidings.

The Software Error of ‘The Social Dilemma’

The Social Dilemma is a terrifying look at what tech engineers have done to make social media a deadly addiction. So it’s more than a little ironic the film couldn’t make itself more arresting.

That’s not to say the new Netflix documentary isn’t interesting and, at times, enlightening and downright terrifying. Directed by Jeff Orlowski (Chasing Coral), Dilemma dutifully examines the retardation effect of social media: YouTubers peddling conspiracies; dolts informing themselves with Facebook news feeds; cell phone junkies fixing from the toilet.

Dilemma goes a layer deeper, collecting the tech wizards who helped create Silicon Valley titans such as Google, YouTube, FaceBook, Instagram, Twitter, etc. They tell a Frankensteinian story of their gambit with Artificial Intelligence, in which they literally turned AI on themselves — and the world at large — with no idea the outcome.

Too bad the film is loaded with needless dramatizations to illustrate its points, as if producers decided the old, Ken Burns-style of non-fiction filmmaking (interviews, real people, news footage) needed a software update.

It didn’t, and the film suffers for it.

Which is a shame, because Dilemma has some doozie anecdotes. Like when early engineers talk of programming AI to keep readers locked on screens, even if it meant feeding them fake news. Or the engineer who came up with the idea to allow users to “tag” and alert other users that they’ve been named in a social media post, making it impossible to resist.

The most enthralling, though, is the Faustian bargain engineers made with AI. Technicians talk of giving AI a simple goal in their social media strategy, similar to teaching a computer to play chess. In this case, they programmed AI to send alluring alerts to social media users in dopamine- dosed chimes and crimson notifications.

Even technicians admitted they underestimated AI’s learning curve, and have had to battle their own addictions to mobile devices.

“If it’s free,” an engineer flatly says of social media (and its itinerant games, apps and services), “you’re the product.”

The Social Dilemma — this is how the world ends | Financial Times
Social media architects after Congressional testimony.

So how did Netflix let this gem slip through its fingers? Namely, with its silly and necessary stage flourishes. Instead of sticking with interviews, Dilemma assigns actors to play some of the engineers (and their families). It even has an actor to play Jaron Lanier, considered the godfather of virtual reality. He’s more striking than the actor playing him, and the drama undercuts Lanier’s insight.

Lanier blowing into a woodwind instrument with several chambers
The real Jaron Lanier

Most egregiously, though, is Dilemma‘s portrayal of AI, here played by actor Vincent Kartheiser. Kartheiser was vanity embodied wonderfully in Mad Men. Here, though, he plays a cartoonish virtual villain, pudgy and merciless like a rabid Wizard of Oz.

Vincent Kartheiser - Rotten Tomatoes

It not quite enough to make Dilemma unwatchable. The details are too damning too ignore. But for a story about the unrelenting threat of a burgeoning computer threat, Dilemma could have used more of a human touch.