Dawn’s Invitation
Dawn’s Invitation
The sky doesn’t ask
for permission to bleed its colors,
and the air refuses to wait
for breath to catch up.
I do not rise;
I collide with the morning,
a half-formed thought
carved from yesterday’s dream.
The streets hum a language
I only sometimes understand,
but today, I listen to the rhythm,
the slow shuffle of someone else’s plans.
I meet the day without questions,
because it has none.
It simply is,
and I am
simply still here.
No need to greet it,
it knows you,
in the way mornings remember
the sound of birds
before they sing.
The world, barely awake,
matches your pace,
neither rushing
nor holding back.
It meets you
as you are—
unfinished
and full of everything.
’Woman of The Hour’ A Chilling Debut
Woman of the Hour is a chilling, darkly humorous reminder that sometimes the most unsettling truths come from the real-life horrors we miss in plain sight.
Directed by and starring Anna Kendrick, the film recounts the terrifying story of Rodney Alcala, a serial killer who appeared on The Dating Game during his killing spree.
Kendrick plays Cheryl Bradshaw, the real-life bachelorette who unknowingly chooses Alcala as her date on the show, setting the stage for an intense and disturbing narrative. Through Bradshaw’s eyes, the audience experiences the creeping unease that builds as the reality of Alcala’s true nature begins to surface.
Kendrick’s portrayal of Bradshaw is both vulnerable and defiant, making the character feel fully realized as more than just a victim of circumstance. She’s a bit too 21st century, but her deft handling of true crime is a discovery.
The film delves into how easily someone like Alcala could charm his way into the public eye while hiding monstrous tendencies beneath the surface. Kendrick gives Cheryl a wary intelligence, making her decision to reject the date with Alcala even more harrowing in retrospect.
The film’s pivotal moment recreates the infamous The Dating Game episode in excruciating detail. Alcala, presented as a quirky and fun bachelor, wins Bradshaw over with his charm, but the discomfort he radiates is palpable to both Cheryl and the audience.
When Bradshaw ultimately turns him down, a real-life occurrence, the audience is left with a haunting sense of how close she came to danger, a reminder of how evil can hide behind an affable mask.
Woman of the Hour goes beyond the surface of the true-crime genre, exploring the cultural landscape of the 1970s—a time when sensationalism often overruled safety.
The film doesn’t just depict a horrific chapter in crime history, but it also critiques the entertainment industry’s willingness to overlook glaring red flags in the pursuit of ratings and spectacle.
