Author Archives: Scott Bowles

Wasted Away Again in My Coronaville

 

I got a text this morning: My medications were ready for pickup at CVS.

Unlike, say, toilet paper, for which you can find crude substitutes (Kleenex, generic sandpaper tissue,  unwitting bunnies), there’s no substitute for Mycophenelic Acid. I had tried so sign up for home delivery, but they must be overloaded at CVS: the system kept crashing like the DOW.

There was no getting around it. I would have to venture out. Into stores. Mingle with masses.

So I geared up before heading out. I guess this is the new normal. Shower, scrub, forego lotion (My skin is dry as hell, but figure a warm, dry animal picks up fewer germs than a warm, moist, sticky one. Who knows? Corona probably loves desert mammals.).

Next, time to tool up: I have dozens of rubber hospital gloves from my many stays. And, like hotel stays, I help myself to the freebies, including toilet paper. People tease me for rationalizing the theft, to which I reply: I figure they’ll screw me over in the bill, anyway. So, in a way, that’s my TP. Now I see I should have hit more lodgings.

So on with the gloves, beneath a pair of cloth gloves. Follow that with a face mask I pocket, along with extra masks and gloves in the car. I bring my iPhone and ear buds, either to wend to music or cover up two more face holes. At this point, who knows?

The drug store is a breeze. So easy, in fact, I head to the grocery store. What could possibly go wrong with pushing your luck during a pandemic, I figure.

The grocery store was PACKED. I drive by once to see the exiting pedestrian traffic, to determine if I should shop looking I’m like Doogie Howser, M.D., prepping for surgery. Image result for doogie howser surgical mask

Only a few were wearing masks, so I entered just in gloves. Still, I was concerned walking in that I’d get that look that screams Oh, you believe the fake news, huh?

Instead, I was surrounded by believer. Zealots, even.

One woman shopped in full winter apparel: coat, hat, gloves, muffler, scarf around her face. One man held a mask to his mouth while he one-handedly placed groceries in a basket. Another man, either  amused or angry, zipped through the aisles in a dirty t-shirt, cargo shorts and sock-less sandals, huffing as shoppers created traffic jams to accommodate social-distancing.

But most unnerving was the look on the faces of shoppers. No one made eye contact in that store. It became so apparent I made a nuisance of myself, pulling out the ear buds and trying to look every person in the eye and smile as they passed. No one noticed, though I’m sure it caught the attention of the security guards who now patrol the aisles, either to enforce a capacity limit or billy club toilet paper rioters. And that’s not hyperbole. Someone needed to smack some sense into these suburban survivalists:

Luckily, there were no brawls over butt wipes that day. But the lack of eye contact bothered me long after I left the store.

This is where we typically shine, isn’t it? Remember the first responders? The school- and club- and church-shooting fearless? The annual parade of Hurricane heroes?

Not here. Not yet. Maybe we are nesting with a vengeance. Maybe the last three years have been a not-so-subtle message: You’re on your own. Maybe we just need time getting a rhythm down with the New World Order.

Whatever the answer, I made a final stop at my equivalent of the Cheers bar, 7-Eleven. Nobody knows my name there, but they know my face.Image result for cheers bar norm

“How are you, brother?” I heard in a Middle Eastern accent. “Sorry for all the boxes.”

The store, like Ralph’s, was shoulder-high in boxes as suppliers tried to get goods to the distributors.

At the counter, the familiar cashier looked me in the eye and smiled. He began to pull out out plastic bags. Normally, they’re 15-cents a pop. But this cashier usually bags mine for free, unless the manager is around. Yeah, I’m kind of a big deal.

But as he tried to open a bag, his gloved hands could not get a grip on the plastic. He wore larger, bulky rubber gloves, the kind hot dog vendors wear when slinging weiners.Image result for hot dog vendor

“I should have gloves like yours,” he said, pointing to my latexed hands. Yeah, I thought, medical-grade shit is always high quality. I could probably be a black market glove dealer.

Instead, I put them to another use. “Do you mind?” he asked, gesturing at the still-closed bag.

“Not at all,” I said, opening the bag easily, courtesy of the Valley Presbyterian Center.

So we stood there, as the line grew behind us: He, carefully packing the bags, while I waited and opened each one.

“Thank you my friend,” he said. Again, eye contact and a smile.

Sooner or later, we’ll all find that rhythm again.

The Upside of Corona

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It’s hard to tell lately whether I’ve got COVID-19, or am just so depressed watching the news I make myself sick. Regardless, it’s hard not to see the latest alert (Breaking News: More Dead!) and just turn off the goddamn TV, play something loud enough to drown a literally virulent world, and settle in with your vice of choice. Or vices.

But a recent discussion with our Liminal Times editor — a bona fide scientist — got the HB thinking there may be an upside to corona. Several, actually:

  • People have started washing their hands. And sneezing into their elbows, and giving people their personal space, and thinking twice about going to work sick. Will we forget most of it? Probably. But we’ve heard plenty of conspiracy theorists griping about the over-inflated threat of coronavirus. That the flu kills 50,000 people a year. Good; those tips work on the flu, too. You know what’s never over-inflated? Becoming informed.Image result for coronavirus handwashing
  • buy disulfiram in canada The workforce will adapt to home-work more quickly.  We were already headed toward a work-from-home society, but so grudgingly it put us far behind other nations. Geezers like myself still don’t know how to work the InterTubes, and businesses remain skeptical about letting employees out of the building. Now neither have a choice but to adapt, and quickly if they want to stay afloat.Image result for coronavirus work from home
  • The Earth thanks us. According to the EPA, motor vehicles collectively cause 75 percent of carbon monoxide pollution in the U.S.  Collectively, cars and trucks account for nearly one-fifth of all U.S. emissions, emitting around 24 pounds of carbon dioxide and other global-warming gases for every gallon of gas. Have you been on the highway lately? We didn’t lessen our carbon footprint; we stripped down to bare feet. Image result for traffic jam 405 101

It’s silver-lining hunting, granted. But how about this nerded-out SlapFact: The average number of “good quality air days” in China’s industrial Hubei province increased 21.5% in February, compared to the same period last year, according to China’s Ministry of Ecology and Environment. InterTubes!

Like any worldwide existential threat, there’s downside to all of this thinking: We’re instead wiped out as the virus becomes airborne and we become skin-walkers.Image result for walking dead

However, we’ll leave that to the 24/7s. Have you watched lately? They should install an in-studio fainting couch in case Wolf Blitzer gets the vapors.Image result for wolf blitzer breaking news

But if we make it, we can come from this stronger. And don’t worry. You can still settle into your vices.

 

The Disposables

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Sex workers are fairly disposable in Hollywood. Few deaths in movies are handled with the contempt that some filmmakers show the murders of those in the trade.

It’s one reason that the true-crime drama Lost Girls feels so bracing: It humanizes women often represented as disposable, more props than people. When a mother in the movie laments that her missing daughter, a sex worker, has been forgotten along with other women, her words feel like an accusation. When “our girls” are remembered, she says, it’s never as “friend, sister, mother, daughter.”

That condemnation runs like a pulsating current through Lost Girls, which centers on Mari Gilbert, a flinty heartbreaker played by Amy Ryan. A sober chronicle of victimization and empowerment, the movie tracks Mari’s search for her daughter Shannan, who vanished after meeting a client. The world sees a missing prostitute as an inevitability rather than a tragedy or outrage; Mari sees a beloved child and, in time, a cause that’s as political as it is personal. It’s a good, righteous fit for the director Liz Garbus, a documentarian drawn to stories about social justice, here making her fiction-feature debut. (Her docs include What Happened, Miss Simone?)

The real story is grim and shrouded in mystery. Early on May 1, 2010, Shannan Gilbert, a 24-year-old sex worker who advertised on Craigslist, called 911 screaming, “They’re trying to kill me.” She then disappeared.

Late that same year, a police dog sniffed out the corpse of a different woman in the same Long Island area where Shannan was last seen. Other bodies and body parts were recovered; one victim traced back to the mid-1990s. When most of the victims were identified as prostitutes, a detective said it was a “consolation” that the killer didn’t seem to be “selecting citizens at large.”

It’s easy to imagine Garbus reading that comment and becoming incensed. (The line appears in Robert Kolker’s Lost Girls: An Unsolved American Mystery, the sympathetic book on which the movie is based.) There are different ways to describe Garbus’s telling of this mystery: it’s serious, respectful, gravely melancholic.Image result for lost girls movie

Yet anger best describes the movie’s atmosphere, its overall mood and its authorial tone. In some scenes, anger seems to hover over characters, as threatening as the movie’s permanently dark skies; at other times, it erupts, flushing faces and distorting voices.

In time, Mari’s personal ordeal opens into a haunting examination of gender and power, men and women. On one side of this divide the movie offers dead, grieving, angry, activist women; on the other it presents men who, with few exceptions, uphold the noxious status quo whether as suspects or members of the largely male police force that includes a weary commissioner (Gabriel Byrne).

The Lost Girls ebbs and flows; every so often, it spills over until you feel it seeping into you.

The girls would have wanted it that way.