Monthly Archives: August 2025

Of Breath and Bone


Roughly 14,000 years ago, in what is now Germany, a puppy died. Its people laid the pup to rest beside a man and a woman.

The burial was deliberate. The puppy had been cared for through sickness. Someone had kept it alive for weeks despite distemper, a fatal and miserable disease, spoon-feeding it, nursing it, holding on.

That animal, now known as the Bonn-Oberkassel dog, offers the earliest known archaeological evidence of dogs being loved. Not owned. Not fed for utility. Loved.

The true beginning lies further back, hidden in the fog of the Ice Age, when our ancestors weren’t farmers or city dwellers but nomadic hunter-gatherers scraping survival from harsh landscapes.

Somewhere between 20,000 and 40,000 years ago, wolves started hanging around human campsites. They scavenged our scraps. The tamer ones got closer. We didn’t kill them. We probably threw them bones. Eventually, we let them stay.

From that evolutionary dance emerged something new: the proto-dog.

Unlike wolves, these early canines weren’t just tolerated—they were selected. For gentleness, for alertness, for their ability to read our moods. Over thousands of years, natural selection gave way to cultural selection. Wolves became dogs.

By 15,000 years ago, the relationship had begun to crystallize. Dogs helped hunt. They barked at threats. They traveled alongside humans across continents.

But if the measure of friendship is emotion—bond, grief, memory—the Bonn-Oberkassel burial is the first time archaeology speaks not just of dogs being used, but missed.

Because that puppy wasn’t buried like trash. It wasn’t tossed into a pit. It was laid in a grave with humans, likely its companions, and sealed with care.

It had no functional purpose in death. The only possible explanation is emotional: mourning, maybe even love.

This shift is what makes dogs unique. No other domesticated animal shares this layered role of worker, companion, protector, and confidant.

Cats, despite their charm, were late to the scene—domesticated only about 9,500 years ago in the Fertile Crescent. Horses were harnessed for transport and war. But dogs were there before we settled down, before cities, before wheat.

By the time agriculture took hold around 10,000 years ago, dogs were already a fixture. Ancient DNA studies suggest distinct dog lineages had already formed around 11,000 years ago, with populations spread across Eurasia. They migrated with us. They endured with us.

So when did dogs become our best friends?

If the question is about domestication, the answer is 15,000–30,000 years ago, when our ancestors first began cohabitating with wolves.

But if it’s about emotional attachment, the Bonn-Oberkassel burial at 14,200 years ago is the landmark moment. That’s when we stopped simply feeding dogs and started feeling for them.

The truth is, dogs didn’t just become our best friends. We became theirs. And they’ve been waiting at the door ever since.

What A Privilege

What a Privilege

To be worn out
by the very work
you once begged for—
with the life you asked to live.

To be tested
by the shape
you gave your own world,
challenged by a climb
you once dreamed
would be yours.

To see the small, quiet life
you used to lead
shrinking in the rearview.

And to feel overwhelmed
by the bloom of it all—
the growth,
the noise,
the motion—
and know:
this was once
only hope.

Worst. Movie. Ever?


The aliens aren’t the only thing crashing to Earth.

The 2025 remake of The War of the Worlds has done what few films dare: It bombed so hard it left a crater.

Starring Ice Cube and Eva Longoria, and directed by music video veteran Rich Lee, this Prime Video adaptation of H.G. Wells’ classic is less a movie and more a two-hour dare.

It currently holds a zero percent rating on Rotten Tomatoes. Not “near zero.” Not “mixed reviews.” Zero. A cinematic void. Even The Emoji Movie—the former gold standard of animated regret—managed to scrape together six percent.

This? Nothing. Not one critic offered a defense. Not even a “meh” or pity thumb.

The Metacritic user score? 1.8. That’s barely above the number of brain cells the script seems to think we have.

Announced five years ago as a “gritty urban reboot,” the film was hyped as a grounded, street-level take on alien invasion.

What we got instead was a sluggish, half-rendered CGI slog with dialogue that sounds AI-generated and performances that feel more like community service than acting.

Ice Cube, playing what appears to be a former cop/freedom fighter/granddad with access to rocket launchers, mostly mutters through scenes like he’s trying to remember why he signed on. Eva Longoria, criminally underused, spends most of her screen time yelling vague warnings into a walkie-talkie.

The aliens are there, technically, but they move like rejected PlayStation 2 assets and make less narrative impact than a missed Amazon delivery.

It’s not even fun-bad. It’s just bad-bad. The action scenes are limp, the pacing is glacial, and the script thinks suspense means cutting to black for a second. You could call it a missed opportunity, but that implies there was ever a chance.

There’s a scene where Cube yells “We fight together!” while looking directly at a green screen. The only thing he’s fighting is irrelevance.

And yet, Prime Video proudly released it anyway, like a parent putting a failing report card on the fridge.

Because nothing says “end of the world” quite like watching one of rap’s great storytellers get out-acted by a digital tentacle.