Monthly Archives: August 2024

Deja Viewed: ‘The Big Chill’

“The Big Chill” isn’t just a movie – it’s a time machine set to the beat of Motown.

Lawrence Kasdan’s 1983 gem reunites college friends for a weekend of soul-searching after a tragedy. It’s a snapshot of a generation realizing their revolution got lost in the mail.

The ensemble cast is a who’s who of ’80s talent. Glenn Close, William Hurt, and Jeff Goldblum lead a group so natural you’d think they shared a dorm.

But let’s talk about that soundtrack. It’s not background noise – it’s practically a character. The Temptations, Aretha Franklin, Marvin Gaye – each track is a time portal to the characters’ glory days.

When the needle drops on “I Heard It Through the Grapevine,” you can feel the years melt away. For a moment, they’re young again, full of hope and terrible dance moves.

Kasdan’s direction is like a good host – it knows when to mingle and when to step back. He gives his actors room to breathe, resulting in moments that feel stolen from real life.

The film walks a tightrope between laughter and tears. One minute you’re chuckling at Jeff Goldblum’s acerbic wit, the next you’re gut-punched by the raw emotion of a shared loss.

Yes, it’s a Baby Boomer manifesto. But strip away the ’60s references, and you’ve got a universal story about growing up and realizing life isn’t what you ordered.

“The Big Chill” is comfort food for the soul. It reminds us that while we can’t go back, we can always gather our tribe, crank up some Smokey Robinson, and dance in the kitchen.

It’s a film that, like its soundtrack, only gets better with age. It’s a testament to the power of friendship, the pain of compromise, and the eternal hope that maybe, just maybe, we can still change the world.

Now, if you’ll excuse me, I’ve got a sudden urge to dust off my vinyl collection.​​​​​​​​​​​​​​​​

’Quiet Place’ Makes A Chilling Creak


“A Quiet Place: Day One” thrusts you right back into the nerve-wracking world of silence and survival, but this time, it’s the beginning of the nightmare.

Directed by Michael Sarnoski, the film captures the raw terror of the invasion’s first day with an intensity that will keep you on edge. Not quite like the original film, but not far off.

Lupita Nyong’o delivers a powerful performance, grounding the chaos with a sense of desperate determination. Her character’s journey through a crumbling city is both harrowing and deeply human, as she clings to the small things that make life worth living—even as the world falls apart around her.

Joseph Quinn shines as a terrified law student caught up in the horror, his chemistry with Nyong’o adding emotional weight to the relentless tension.

The film’s minimalist dialogue and Sarnoski’s focus on visual storytelling make every glance, every gesture, count. The result is a movie that speaks volumes even in its silence. Like the original.

Visually, “Day One” doesn’t disappoint. The scenes of destruction and panic are visceral, drawing clear inspiration from real-world disasters.

The film is a masterclass in building suspense, using the quiet moments to heighten the impact of the inevitable chaos. It’s a terrifyingly effective reminder of the power of silence—and the horrors that lurk within it.

However, “Day One” isn’t without its shortcomings. The story, while intense, doesn’t offer much that’s new to the franchise. The plot sticks closely to the formula that made the previous films successful, but this also makes it feel somewhat predictable. The characters, though well-acted, could have been fleshed out more to give the narrative a deeper emotional resonance. As a result, the film at times feels more like a well-executed spin-off than a necessary expansion of the universe.

While it doesn’t break new ground in terms of narrative, “A Quiet Place: Day One” is a solid, tension-filled addition to the franchise. It delivers exactly what fans expect: suspense, emotional depth, and a chilling look at the day the world went silent.

Leaving Things Behind


Everyone must leave something behind when he dies, my grandfather said..

A child or a book or a painting or a house or a wall built or a pair of shoes

made..

Or a garden planted..

Something your hand touched some way so your soul has somewhere to go when you die,

and when people look at that tree or that flower you planted, you’re there..

It doesn’t matter what you do, he said, so long as you change something from the way it was before you touched it into something that’s like you after you take your hands away..

The difference between the man who just cuts lawns and a real gardener is in the touching, he said..

The lawn-cutter might just as well not have been there at all.. the gardener will be there a lifetime..

-Ray Bradbury